Thursday, December 1, 2011

Prayer


Inside Child

by Johanna DeBiase

The girl hugged her knees in closer and lowered her forehead to rest on them. Her eyes had grown accustomed to the dark. She could make out the vertical lines of wood paneling along the walls that brushed up against her shoulders in the narrow nook. The girl had been there so long that mother had forgotten about her. She resorted to eating insects and dust.

A long time ago, the girl was playing outside with the sun warming her skin. She was laughing in the long sway of the swing as she opened her legs and arms to lean back as far as she could so her toes touched the sky. Then, the girl was shut in the house, then her room, then the closet and then the cabinet beneath the stairs.

Mother preferred not to see the girl. It was better not to remember. The girl listened to mother's footsteps traverse the old moaning house, her weight on the floorboards and stairs. Mother moved about cleaning the house from top to bottom, straightening and dusting the nick-knacks, organizing and polishing her things. When the postman came, mother did not invite him in but he noted that her house was in order. He nodded and handed her the mail. Mother smiled but she was not happy.

One day, mother answered the phone instead of ignoring the incessant chiming and this change in behavior was rewarded. There was a voice on the other end of the line and the voice was inviting her out. Mother never went out. The house was warm and soft and dark and safe. The voice assured her that there was nothing to be afraid of, that she would be just fine outside, more than fine, she would be great. Mother agreed to go.

The girl fiddled with the doorknob to search for a simple release. It loosened in her palm.

Mother adjusted her skirt in the mirror. She did not notice the cabinet door was ajar as she zipped up her boots. She hesitated before opening the door with dramatic force and shielding her eyes. The outside light was bright and pushed its way into the house, stirring up dirt and residue. Mother took a step forward and the light swallowed her whole.

The girl pivoted her twitching legs and pulled herself up and out of the cabinet with great effort. Her body was small, pale and frail. The phone rang, but she did not answer it; she did not need to hear the voice. The front door was left open. She walked as fast as she could manage outside into the light.


Ghost of a Chance

by Ned Dougherty

here is love
head hung bowed to sky gray universe

the patron of gatherers and pilgrims
seducer of simpletons

a wing forsaken cherub
aimless like the rest

remember
thanks and humility for the caught

stone
in a mess of blue wool

passed between her hands
trying to figure and hold

true


2012

by Charles Clayton

The time was at hand. The Hebrews annexed Jerusalem in February, prompting invasion by surrounding Muslim nations. In July, North Korea joined the fray and launched nuclear weapons against the United States, prompting ground and air invasions by NATO nations. In late August, the permafrost hit a critical mass and melted, throwing uncountable tons of carbon dioxide into the atmosphere virtually overnight and disrupting weather patterns. Crops failed. Drought and floods hammered at the land. Starvation and mass, panicked migration unfolded across the globe as humans rushed towards rumors of food and clean water.

Then, in mid-December, our solar system completed a cycle around the Milky Way galaxy, and all hell broke lose. The trumpets atop the Mormon temples blasted in unison. Angels fluttered down from the heavens. Saints appeared and walked upon the Earth. Jesus arrived on a golden cloud, backed by presence of a Monotheistic God—a power that could be sensed if not seen. Believers and non-believers alike flocked to churches, synagogues, mosques and shrines, begging for forgiveness and mercy.

Four days later, on the winter solstice, a powerful earthquake struck in the Caucasus Mountains of Turkey, ripping great hole in the Earth and releasing countless ancient deities that swarmed the planet and wreaked havoc upon the heavenly host. Achilles slew David. Fairies and sprites wrestled cherubs to the death. Thor pummeled Allah/Jehovah with his hammer. Zeus zapped Jesus with a lightning bolt. The saints stepped out of their shrines for a final stand, but as they knelt to pray Medusa slithered into the fray and turned them all to stone.


Weight of the World

by Gary Feuerman

Not, everyone can carry the weight of the world. In prayer, when I go deep, I sometimes feel like that, heavy, slowly bending toward the ground, seeking the smell of moss, the flesh of a baby in my hands. Eventually, I rise, like a yogi, as the earth buoys me, sends food to my spine, spirit to my eyes. “Bow down”- I hear this in my eyes, “Bow down first.” Smell the ground again. Let your arms cradle your soft head, so much softer than you remember. Have you touched it lately, really let your fingertips and palms touch the warm flesh. It trembles. It needs swaddling. It’s been hit, and bounced, jarred into shapes it never meant to take. Let the head, my head, drop, so my eyes can remember what I look like, what my brother looks like, closer to my fast breathing heart, which also trembles, waiting for a warm hand, waiting for Neptune’s direction. I bend with her into my aching feet and knees that remember the last few years, that have absorbed rocks and concrete, wood and water. The lower I bend, the more I can smell the cold that has been housed in my bones, the vertebrae tight against the bottom of my neck. I realize I’m a cat about to jump off a counter, always, and I seek the ground, to lie by a creek, to crawl in the sage. She, in prayer, tells me I’m an old amphibian about to rise out of the water. You have to crawl first, she says. I can’t hear this when I’m standing coiled on the countertop. I can hear the sound, her voice, as I lower. She’s lowered for me, for us. She’s carrying the weight of the world. And I want to bear my share; I want to crawl like a turtle carrying a load. You have to crawl first, she says, her voice getting clearer. You have to crawl first before you can understand. I don’t want her to carry all the weight. I can smell the ground and will carry my own.


Friday, November 11, 2011

Western Sky Mesa Dawn




11/11/11

by Gary Feuerman

You get up early, and see the candy stripes of dawn in the windows. It is still dark, and muted in your bedroom, the light so delicate you need to wear slippers. Your exposed knees feel cold coming up from the concrete floor. There’s the sense that someone else can see you, or maybe you want that and it seems so. Your closet is neatly arranged and that’s pleasing, but your longjohns are not in there. You left them in the dryer. The kitchen holds the promise of a breakfast salad and hot tea, but you’re not ready. It’s dark near the floor but light is beginning to grace the undulating outline of the mountains. You grab the iPhone and turn it on, waiting interminably for that apple icon to turn to full operation mode. The background picture on your phone, a liquid light of indigo and charged lavender, is quivering in real time over Wheeler Peak. You throw on your thick navy sweatpants, the green base layer shirt, and the North Face slippers. You forego the hat. It’s 18 degrees but so calm that your warmth stays with you as you climb the adobe wall to stand on the soft surface of the vast sage plateau. Your slippers sink into the sandy clay. First, you look to the sacred mountain and see that peak outline so vividly that it brings a faint sadness. You take pictures of the mountain with its one shredded pennant of cloud ,which sticks to the peak as if from static. It looks like vapor from a cauldron. You walk on the desert above your house, in the dead quiet before dogs, before rabbits, and you feel levitated off the surface by the intimacy of walking in such an immense, unstirred scene. The sky to the west, against the feline spines of the old volcanoes, reflects an aquamarine ocean blushed indigo, plum and the beginnings of magenta. You put the phone up in front of your face and press the camera icon with your thumb. You then turn to the south and do it again. After that, you stop and listen to your heart beat feeling tall and unraveled.


Pink Moon

by Johanna DeBiase

Nothing was ever the same after the sky turned pink. It took months for scientists to even theorize the cause – talk of radiation, solar flares, atmospheric changes. Religious zealots claimed it was a message from God, but those were split. Half thought God was warning us to get it together before the pink phased to red and all went to hell. The other half thought God was showing us his rose tinted glasses, offering us a second chance. Philosophers insisted that the sky did not change but our way of seeing it did.

The pink sky sure did make everything look different; an extraordinary glow coated dull surfaces such that the world was warm and inviting. On the other hand, my brain was never quite able to adjust. After a while, all that pink made me nauseous and I could no longer bare the sight of it. I trashed tutus and wore blue lipstick. I closed myself inside with shades drawn until sunset when, just for a moment, the sky turned blue again and life seemed okay. At least, I had the night, the dark maroon of midnight.


La Dentuda
by Ned Dougherty

If only she wasn't so toothy
or angular
fishing for me in the chlorine.

Her father isn't much of a guy either
intimidating the suitors;
double dared me to kiss her.

She's one of those fiery receptionists
with technicolor nails
and fighter pilot red lipstick hands free technology.

Chews horse pill vitamins like candy
and takes a shot of hot water
to steep Earl Grey in her mouth.

She's that inviting kind of nasty
like a snuff film
at the front desk of Kit Carson Electric.


western sky
by Robin Powesland

it’s delicate
this idea we have of communication
the soft underbelly of the word lilac
somehow hardened and left
coquettishly complete
how we see
the eyes crinkle or grow wider
belies sometimes the choices
made long ago
we are new
in this softness
we are just plucked
laying out in the pooling light
shifting breeze
this idea of what we have to say
beyond our just being here
is beautiful and spotted
like queen’s lace



Not Another Day

by Charles Clayton


Lots of these in a lifetime. The sunrise I mean. Every single day whether you're paying attention or not. Spectacular each and every time, just like the other blessings unfolding in your life. Food on the table. Roof over the head. A body that works. The pitter patter of little feet. A cup of hot coffee. A good woman to share it all with. And every day the sun rises to shine a light on it all, like icing on the cake of goodness.

And just like that it's gone. Not the blessings, but the blissful ignorance and the belief that there will always be plenty of time. A fateful diagnosis, or a car crash, or maybe just slipping on the ice. Suddenly the lost moments really are lost, and you can't get them back. Sleeping through another sunrise. Maybe tomorrow. Staring at Facebook instead of into your child's eyes. Just one more minute, honey. Nursing a hangover instead of your marriage. I'll never do it again, my love. You'll never do it again.


Blood Sunset
by Eric Mack

They used to say the dirt was holy, but when people started turning, it became harder to believe. Several that we used to call friends and family had been buried in it. It didn't do the job. We resisted calling them zombies at first. The word was associated with an archetype of pure fiction, fiction that had long since been weaponized. Part of us wanted to preserve that past, simpler times when our nightmares couldn't so easily be realized with quantum genomics. The first real-world vampire had been created in a Singapore lab less than a month after the initial discovery was leaked and picked up by the network. The engineers held all the power now. Our legends and myths had become impotent the moment they became real. It was funny at first—the company that designed a line of bodyguards all identical to Pinhead from Hellraiser; then it became weird when the werewolf prostitute incidents started to be reported; and then the network took it to another level that pushed it all over the edge. I can't even imagine what's going on out there now. If I could, I wouldn't tell, lest the vision winds up in a lab somewhere.
An academic friend of mine got a wire through to me the other day. Wanted me to join the effort. Said they're working on bringing Jesus back to help set things right--the real one, not the Mormon fairy tale, he had assured me. I declined, of course. Can't see how a few tons of bread and fish is going to help our situation.


Saturday, October 8, 2011

Untitled


Blackout
by Charles Clayton

I know, I know: there are people in the world living on less than a dollar a day, literally crapping out their life force due to a lack of clean water and various third world diseases, but that doesn't mean that I'm not allowed to bitch about how backwards things sometimes are here in New Mexico.

Bad schools and drug addled parents, shady dealings and nepotism at all levels of local governance, the stoopid gang culture, and how the POWER ALWAYS GOES OUT around here during big events like the opening day of baseball season.

IT'S OPENING DAY FOR CHRISSAKES! Spring is in the air, beer is chilling in the fridge, the rabbit ears are getting some decent reception, the Sox are looking good this year...and then some obese stoned mother with a tattoo on her neck and a piercing in her eyebrow is driving too fast and yapping on her cell phone or slapping one of her seatbeltless brood in the back of the mini-van and fails to notice the curve in the road. Dry road. Fine weather. Middle of the goddamn day. Right into the power pole.


Wreckoning

by Gary Feuerman

This could have been me. I’m writing because this could have been me. Many times. But not usually in the light, although who knows what can happen? The pole got knocked off its base and still stands. The car rests on its side. Both wrenched and beaten, bent and splintered. I can’t get too poetic here, not on purpose. It’s now. It’s pelting cold rain on my house in the early dark of late October. The road, dusty for weeks, is now a sloppy horse track. I’m sneezing virulently, all day, by myself. I don’t know if it’s a cold, allergies or if the house is sick from dust or silica, or something in the air. I’ve sneezed so hard that my head hurts, and a cough has developed, still dry, but wheezy and fluttery in the chest. I’ve sneezed so loud that the windows rattled. I had some good thoughts earlier, but now I feel achy, sick and alone. Now I remember the first smell of moisture in the morning, one that gave me an old sadness of Long Island in November. A sweetness in it, a loamy, earthy, mulchy sweetness that feels like funerals, or waiting out arguments on the porch at Thanksgiving. Some days it would remind me of falling face first in the grass after scoring a touchdown in a schoolyard or backyard football game, but not today. It spelled an ending. I fought it and worked at the desk here at my house – no office to go to anymore. And I did ok, got through deadlines, closed a substantial private loan for the brewery, banged out some emails, saw the Facebook news and messages. This made me feel far removed from whatever it is that is happening out there. I’m not grasping it, although I feel dangerous when I see and hear clips of violence; not “in danger” but dangerous. Dangerous to myself, and to others knowing there is a seed in me that can grow a violent protester, or a martyr which can be just as violent. I don’t know about this 1% and 99%. My gut says that’s too easy. But I don’t have the capacity to think of ways to “fight” the power, whatever that is. Maybe the idea is to turn back to where you are and live in community, tribally, feed and feed alike. Trips to the farmers markets this summer and fall have felt abundant. There’s always food left, tons of food. What is it we’re worried about? Why can’t we build our own schools and teach the way we want? Why can’t being in a beautiful place with endless playgrounds, and rich varieties of heart opened people with all the stories of the world be enough? We could take in travelers from other tribes, an oasis in the desert, and send them off with our art, our love, our food, and the spark that they brought us enlivened? And they can do for us the same. Why do we have to worry about Wall Street, or the far right, far left, far flung? We already have the under layer of a barter economy. We have the skills and resources to live sustainably. We have accessible riches of art and culture to keep our myths evolving, and our child’s eyes forever awake and dreaming. We can live on little money and be secure. We can ignore Wall St. I know we can. I’d need some guidance from others, and in a circle I can guide in some ways. I’m willing to work the fields and clean the dishes. I’m willing to break down my barriers and help. I’m lonely as fuck right now in my house, listening to the rain, checking Facebook in the hope that I’ll get a personal message from someone, the new form of looking in the mailbox for a letter, but much more cruel and need-soaked because you can look every 30 seconds (less!) like a tic and you might not get what you need “out there.” I’d be happy to crack this solo habit and commune (as long as there’s some private space ) . I believe it’s part of what I’m doing with the brewery. Wall Street certainly did not help us, hell, our own village leaders and “community” banks did not help us (that’s frigging euphemistic!). We’ve gone bankless, lo these 5 years, but I’ve become brothers with my partners and we scraped and scrounged for our initial investments (leveraging houses built by hand – thank you mortgage mania, frugality of saving pennies, and for me going to a fanatical believer for some – thanks Mom!) and with steady fervor convinced others to join the circus. Am I angry that we don’t have the burden of a $500,000 loan from US Bank and the tightrope walk that goes with that? You can answer that question. People have bought into the business. People have built with us for years for some equity and some beer. Yes, they think we’ll make some money. Yes, we think we’ll make some money. We’re not down on money, although if things go barter and fully communal, what a great place the Rock Garden will be! Who will care at that point as we quaff heavenly beer, play volleyball in the sun and listen to killer music? Alright, yes, I’ve been selling this place a lot lately, so maybe some of that has spilled over. You don’t have to buy a share, no worries. So, I don’t know. I was just in a play in Taos, the lead in a fucking play, an original play. Where else can some shmo from Long Island be the lead in an original, surreal romantic tragicomedy with wacked clowns, burlesque and a grandpa 5 years older than him? No, we’re not doing anymore shows, so I’m not promoting here. I’m just saying. You want to be in a play, just be in it. You want to grow food, grow it. You want to spit poetry, spit it. You want to share your skills and live heart, share them. You can wreck any time whether you deserve it or not, so I say, fuck worrying about Wall St., let’s have a coffee or a beer and dream a dream of here/and now.


Done Chrysalis

by Johanna DeBiase

She should have known to slow down when the tires slipped going under the overpass. She might have pulled over for the night, but she had an irrational need to get to the Corn Palace before putting the road to bed. The soft rain had just begun, winter dark just fallen. She must have been doing seventy when the tires slipped again. The Jeep spun a one-eighty and rolled onto the roof of the passenger side where her buddy Jim was shielding his head. The roll continued onto her side, tossing them around in a state of blank suspension. Glass shattered in her hair. Somehow, it landed on all fours, on the other side of the gully, perpendicular to on-coming traffic.

To her right, headlights stared her down. She could not open her door. Her left hand was fucked up. She felt for her left pinky, bent back from the top knuckle and grabbing it, snapped it back into place with painless adrenaline. Jim managed to get his door open and she crawled out his side. He was cradling his right arm to hold in the bone jutting out of his elbow.

The first responders found them there in the ditch, in the rain, broken and huddled close. She kept asking them to check her hair for glass as they covered them with blankets. When the paramedics finally arrived, they wrapped her neck in foam and strapped her into the gurney. Sirens preceded their arrival. She was half-way to the hospital in an ambulance swerving and sliding along the icy back roads when she was struck with a moment of clarity. Shit, she thought to herself, I'm really fucking high.


Untitled

by Robin Powlesland


maybe
the reason for each
one of these
loves
or someone once called
them
mistakes
this waking up
in the morning
or late at night
or just because this someone
said our name just right
just soft enough
we had to lean in
closer
and taste the mistake
before tasting the person
before feeling the metal
crash into our bodies
the glass break across our faces
and the time
each time it happens
we feel the end
just as the same as the
beginning

Wednesday, August 31, 2011

Summer Goodness

What'll It Be?

by Charles Clayton


Uncork the bottle. Inspiration flows.

Wine loosens the lips. Inhibitions vanish.

Poetry. Songs. Stories.

Throat chakra freed

muses pour forth

laughter

mirth

joy


Uncork the bottle. Let it all hang out.

Wine warms the loins. Inhibitions vanish.

Passion. Lust. Heat.

Sweet nothings whispered.

Release

orgasm

union


Uncork the bottle. Happy hour.

Wine blurs the vision. Judgment fails.

Stumble. Slur. Double vision.

The key turns

drive

swerve

crash


Uncork the bottle. Pain denied.

Wine masks feelings. Tears held back.

Regret. Sorrow. Guilt.

The gun cocked

trigger

bullet

brain


Uncork the bottle. Let her have it.

Wine blinds. Fists fly.

Anger. Hate. Self loathing.

The kid watches.

Mom’s black eye

trapped

patterns


Will the muse

make up for

the hangovers?


Will the orgasm

balance out

the jailtime?


Will the songs

console

the battered woman?


Will the reverie

make up for

the sorrow?


Toast Goodbye to Summer

by Johanna DeBiase


Goodbye shallow murky rivers where we float in tubes and bury our ankles in minnows.

Goodbye bare shoulders streaked with tan lines and feet cracking open.

Goodbye buttercress and favas off the vine.

Goodbye outdoor music with hipsters drinking beer on patio chairs.

Goodbye camping road trips to orange rock caverns and alpine meadows.

Goodbye grass between our toes, sun on our bellies, wind through uncapped hair.

Goodbye, summer, goodbye.


Thursday, July 21, 2011

Fairy Dust


Fairy Dust

by Johanna DeBiase

In college, Beth took acid. It was not an optimal situation since she was alone and at a Phish concert. Still, Beth swore she saw fairies - points of gold light interspersed in the trees. Later, when similar lights off the water began to chase after her, she still believed she had seen fairies – a little window opened in her consciousness and let them in.

Even after swearing off acid forever, on occasion, she might still see those points of light, only one, only rarely.

Then she had a little girl she named Lily who for some time loved tiaras and wings. Beth confirmed for her the existence of fairies and they both made up songs to enchant them. Years later, after Lily outgrew fairies, tearing pictures from her wall, Beth was disappointed. However, she was pleased to discover, she could sometimes spot a golden point of light just beyond Lily's left ear.


Untitled

by Robin Powlesland


Soft.
Marketing of small letters
And words.
We stop to listen
But get crowded out by all
The people walking
Through.
I have found her voice
By chance
As if by chance.
It is soft
And just enough dance
For me to feel
The twilight
In us all.


Fiesta Princess
-E. Mack

The dancehall is nearly empty. The floorboards pre-date the dozen people scattered in chairs along the side wall, most of whom collect a pension by now. A section on the far side of dancefloor completely rotted away a few years ago, and a ten-foot square section of gleaming new laminate contrasts with the gray, aged pine planks that surround it.

Two guitarists on stage look tired. They're playing a Gospel version of "Sweet Home Alabama" with the chorus changed to "Sweet Heaven, Hallelujah." The fluorescent lighting, stained walls and smell of processed cheese wafting from the snack bar in back make the original version seem more appropriate.

My daughter is twirling alone while the old people look on, red hair flying, gossamer faux angel wings flapping and the unfamiliar plastic crown she must have stolen from one of her friends repeatedly falling to floor.

Soon the Fiesta princesses will be making their grand entrance.

A guitar string breaks in the middle of the second verse, the song stops, but the little girl keeps twirling.

A replacement guitar is found before the princesses arrive 90 minutes late. There are now three little girls twirling, sliding, luxuriating on the slick laminate floor section. Before I notice the royal procession preparing to enter from the back, a few of the old people are directing my daughter to a chair, gently and with a smile.

I sit next to her. Her mother appears with nachos. The jalapenos are pickled. We both direct our daughter's gaze to the line in the back of the room. The fiesta princesses are far from contemporary. No updating of the outfits to be more stylish or sexy, a little more Disney. Instead, there are intricate crowns and long, heavy flowing robes in royal blue.

Rather than be impressed or awestruck, the three-foot tall person sitting next to me is devastated by a case of princess envy.

"It's not fair they're more beautifuller than me!"

She crosses her arms across her chest so forcefully she creates a self-imposed straight jacket.

My pep talk about everyone being beautiful in their own way and waiting for her day to be princess doesn't help. It sounds like bullshit even to a three-year-old, and it is. There's never going to be a Jewish princess of this Catholic celebration.

After the procession and the nachos recede, we head to the other side of the village where electronic music blares from the old theater. A few dozen hipsters from Santa Fe are making jerky movements out-of-sync with the beat on the stage. My daughter finally releases her arms from their locked position and runs in their direction, tiny wings flapping behind.

Saturday, June 4, 2011

Cerro Glow


Before and After

by Gary Feuerman


Before the fire

there was a glow

from the silken sun

as I stood in water

dreaming of love


After

I looked west

and beat the rugs

like old enemies

breathing time


Wild Fire

by Johanna DeBiase

When the dogs start barking and the magpies make a nuisance with their clucking, I know the red fog is coming in. Out the western window, I see the smoke collide with thunder and hope the slate clouds win. But the wind is fast, wild and fierce РLa Ni̱a, a wrathful goddess. By the time I am done shampooing my dog who rolled in dung to cool off, the air is charred and stuffy. The animals are silenced and the sun is red. We hurry inside.

Yesterday, I rolled in mud at a spa due west, recessed in red canyon walls. The smoke appeared suddenly, with limited visibility and my throat became dry and scratchy. We raced home blasting the A/C, the smoke chasing us while we sped across the mesa. Plump gray and welcoming clouds hovered over town, our fortress of mountains, and as we entered Taos's perimeters, it began to rain. Oh, the cleansing scent of steaming hot tar and wet sand.

A sign of things to come, I hope, as the red plumes of smoke and toxins – the dust of old growth pines or the carcinogenic particles of plutonium – settle around us encased in closed summer houses.


Cerro

by Robin Powlesland

the fireworks display stands empty

and Jeff N. stalks Paseo

with his angry yet honest

yet certain words

today is the first day

I am truly weary of the smoke

and how insular it is to say that

how unfair

it all seems too big really

to know

and also still fairly far away


we dream about rain


flying bullets hit young men

in the face in Taos this weekend

and we watched each other

talk about our creative processes

as if they happen alone


I want to be around Flora

my friends’ three year old

red-headed whimsical daughter

because I do not understand

what her life will look like

it doesn’t look like this


I am bruised from last night’s dancing

and keep seeing a stranger’s dimples

but still New Mexico is burning

we are struggling to breathe

our way through this


Los Alamos on the hill

and we can’t look away


the fireworks stand displays empty

and I know now what the Mayor drinks

what we all drink

we are all always drinking


the future is paralyzing

and yet the events are stacking up

on facebook

as if everyone needs one more

party

as if the bacchanal rights

could fix everything that is going wrong

all over this earth

as if mother nature could be placated

by placating ourselves

as if we had another chance

or a chance at all


my flowers continue to bloom on my plants

and music comes from the plaza

it feels humid as the smoke condenses our moisture around us

I do not want to drink anymore or feel tired or overwhelmed

I want the future to open up like these red flowers in front of me

propel us into something more

but I am just small I am just insular

and the comets will come and the flame and the rain

the plutonium is inches from my face

a bullet in my throat


Tuesday, May 10, 2011

Space

(575)
By Eric Mack

River cracks the Earth,
Seven syllables this line,
The bridge to Haiku.


North
by Gary Feuerman

I like the volcanoes
on the Mesa
near where my house is
invisible from space

There’s a tributary of the Rio
that runs from the mountains
still covered in snow
like healing powder
sprinkled to cool the pain

My body
on looking into the valley
wants first to run west
into the flatness
of desert
but below the skin
my soul dreams north


space
by Robin Powlesland

the space between teeth
changes
throughout the day
and it’s hard to know
what I make
and what is real

where do we go from here
too the mistake
voiced and distinguished
I brought my tarot cards
to tell the future
but no one wants to hear it
the voices have been
told and loud

I have very much liked
yesterday
and the day before
but today and tomorrow
are like my tooth
missing and what’s left
is a little swollen
empty

where do we go from here
but wave our magic
wands and hands
purses and matchsticks
work our way through
all the stuff
just so much stuff


Rift
by Charles Clayton

700 miles
Colorado to Chihuahua
“New Mexico” gets wider:
one mile every million years

Fault block mountains rise
valley basement drops
buried seashells exposed
glaciers come and go
rain wind rivers snow
tear everything to pieces
grains of sand
carried to the Gulf

Magma probes the crust
earth skin pulled taut and thin
volcanoes burst through
low spots fill with molten lava
become high spots
basalt mesa rimrock
cinder cones shields
back to black dust
blowing in spring winds

River follows rift
no valley of its own
no branching watershed
long lonely line of life
carving out canyons
digging deeper
straight south to El Paso
and suddenly
east
and
out


leave the rift behind.






Saturday, April 2, 2011

Untitled


Untitled

by Charles Clayton


100 million years ago

Shifting dunes blowing sands

"New Mexico" south of the equator

Dinosaurs humping and laying eggs


1000 years ago

Images pecked on a sandstone wall

Flecks of obsidian sharpened arrows

Bighorn sheep boiled in the clay pot


100 years ago

Mormon cowboys red dust

Pause and look at pictures on the rocks

Cattle chomp on golden grasses


10 years ago

Powerlines buzzing overhead

Plastic grocery\bag stuck in the sagebrush

Graduate students ponder the hunter


1 day ago

Sunshine warm rock

Arrowheads in the soil

Cowboys in the grave

Professors explain the Anasazi


Then There Were Three
by Eric Mack

It was easier in two dimensions. Without depth there was no need for deep thoughts, and somehow everyone seemed a little less smug, little less full of shit. Or maybe I'm just lazy. Height, width, nothing more complicated than geometry--that's the life though, right? Something's in the way, you better jump over it, get under it or go right through it; no goin' round, circumventing or sneaky tricks.

There's been improvements since we upgraded though, to be sure. Flat cuisine, for one--ain't missed it for a second, and anyone who says different's lying through their fleshy fibhole. By my reckonin' the steaks and the sex are just about the only reasons we don't just upload ourselves onto some hard drive to be spit out an inkjet back where we came from. And the mountains, too, I guess. I mean, damn. We just had those all wrong before.

But I still miss it - they didn't tell us we'd be trading one dimension for another; got a wider world but seemed to lose the time to check it out. Forward progress always kicks the shit out of nostalgia I guess.

(--sent from my iPad2)


Shooting Sheep in the Sky
by Gary Feuerman

Her sister was visiting. It was still early in the relationship, maybe 3 months in. We still made love at least twice a day, and whispered to each other in the corners of parties and bars about the things we wanted to try. It all smelled like fresh raspberries. You know when you look close at a newly picked berry? The round, trembling buds filled with soft flesh and juice. A little hairy, but always ready to burst. That was us. I could do no wrong, although I often thought that what we had couldn't be real, not really. It had to burst and disappear at some point. I had to eventually stumble, break the bubble and watch the mist of love float into nothing.

So Sis was coming and I was the Taos Guy. What to do? She was a fierce intellectual, Sis, with eyes that ate and doubted everything said, but also wanted to just play and grapple. One night on the toilet, tucked safely in the back of the house, I spied a local tourist mag on top of a pile of paperback novels I hadn't read, but figured I'd at least get snippets of if they were piled in the bathroom. I reached for it and brought it to my lap. On the cover was the picture of a petroglyph - a pregnant woman praying next to a set of 4 concentric circles. Like a sign from God, I knew that this, this was the thing to do. A friend had told me the week before that there was a path off of Ranchitos Rd. along the Rio Pueblo where the petroglyphs were etched into the rocks along a little limestone ridge on the mesa.

We went there the next day, a scorching one with endless blue sky. We parked near a house, but off the road and set off into the cottonwoods along the tumbling little river. Sis pulled a joint from her shorts and we smoked it. Stoned, but with purposes, I led us up into the rocks beyond the trees. A cliff about 30' high ran north-south parallel with the river. When I got to the rocks, I pressed my face against them to feel the heat. T and Sis followed suit without words. All was quiet. No cars. No wind. No other people. I moved south along the wall dragging my fingertips along the rough sandstone. After 20 yards I came upon an etching of a vibrant sun over two sets of concentric circles with 4 and 5 rings painted in a rusty red. Petroglyphs. I could hear T and Sis breathing. We stood still and each in turn touched the indentations in the rock. T kissed me on my nose, and Sis then hugged me and whispered, "You are part of my clan."


Cavernas del Viejo Volcan

by Johanna DeBiase

I dig my heels into hard dust and stare out at a photograph in a magazine from someone else's vacation – white mountains holding hands around a splatter of lake blue. The wind blows hard, bellowing my hood up around my face. I climb the mountain, I enter the cave.

A ramble of meaningless words float around me and I will not look at him lest he think I understand. He spills water on the wall to make visible the fine red lines of some ancient sketching. His fingers trace the jagged lines. “Tall people,” he says in English, horizontal hand held high above his head.

“But how do they know that?” I ask my translator, my crouching husband.

“The last one died not too long ago.”

The. Last. One. He was a tall man.

My hip bones barely scrape through the damp tunnel, my head bumping up against jutting rocks. One knee in front of the other, one hand, then the other, one crawl closer to blind. Something falls into water somewhere. Someone whoops when they trip. A mother whispers comforting words to her child. Shh, the owls are sleeping. I commit the darkness to memory. Turning back toward a single point of light, I imagine that I am alone, for one moment, the last one in the world.

Tuesday, March 1, 2011

Lunar Eclipse


Made Visible

by Johanna DeBiase

My dog's barks became loud and incessant. I was worried she'd wake the kids. I rolled out of my sack on the bottom bunk and tried to quiet the creak of the door as I stepped outside the yurt in my long underwear into the cool night air. Five feet deep of snow rolled out like a blanket, across the meadow between the pine and spruce to the creek below and beyond atop the higher peaks further in the distance.

The full moon made the snow meadow glow like a fresh water pearl and accounted for my inability to sleep – super moon, vernal equinox. I unfastened my dog's leash and beckoned her to join me by the fire inside. Instead, she stared intently to the south along the side of the yurt, her snout pointed forward, her chest engaged and ready to leap into action.

I leaned over her to look. My heart startled. A black silhouette contrasted sharply against the iridescent snow – an animal, sitting upright, bigger than a cat, smaller than a dog, pointy ears and a bushy tail, which it waved across its body affectionately. It was staring back at me. I grabbed my dog's collar and pulled her quickly inside. My heart thumping out of my chest. Out the window, the fox continued to walk across the field and into the trees beyond.

Foxes live in between – night and day, meadow and forest; because of this, they are known for their ability to camouflage. Tribal people across the world revere fox medicine for its power of invisibility. Yet, this fox, this fox wanted to be seen.

Spring.

Moon.

Fox.


the fullness of it came closer

by Robin Powlesland

I can layer these names
into the texture between
morning and its due
possibly see the shadow cast
in midnights from before

I was young then and younger now
knowing that you have left
nothing behind you other than this
layering of camel buts
shorn and tossed about
my patio

I can see in the glare
of this moon
how this place has made
me what I wasn't before


Untitled

by Charles Clayton


Archetype of emotion

born of violent collision.


Reflecting pool reveals chunks of stardust

rejected by Sun's gravity embrace.

Far from the light, elliptical roaming,

then plunge towards a terrestrial speck

seething spinning coalescing cooling.


COLLISION.

Man on the moon a chunk of

Mother Earth, a chip off the old block.

Gray dust settles.

Mountains cast long lonely shadows.


Wax wane.

Tug at the sea.

Soak up gamma rays.

Eat meteors.

Light up the primordial night as

the blue orb below manifests bacterial

(r)evolutions from sea to slimy sea.


Billions of trips around the Sun.

Silver beams shine upon

trilobite backs

jellyfish glow

triceratop horns

mastadon woes

flecks of chipped stone

firepits and charred bones.


Every so often:

“Wolves are eating the moon!”

Eye of Horus, stolen.

Cough it up, sky dragon,

Shaman’s going to yank that arrow out

And make it all right again.


Untitled

by Eric Mack

During what would be my last year, I spent much of it traveling to the surrounding villages, recording oral histories from Native elders for the radio station. One old man in his late seventies from a northern village that sits just below the Arctic Circle shared a simple anecdote about how he used to monitor the extreme cold temperatures that had since become less frequent occurrences due to climate change. Sixty below is still common in Fairbanks, but the nights of minus ninety are long gone. In the 1940s, it seems, thermometers were a luxury not readily available in the villages, so the old man had developed his own scale for taking temperature when traveling overnight by sleddog team.

“50 below, that’s easy… you seen that before – just take a cup of hot water off the pot on the fire, throw it up in the air. If nothing comes down, you hit minus 50,” he explained, referring to a phenomenon that’s now widely demonstrated by awe-struck college students in Fairbanks on numerous Internet videos. “Now, 70 below… don’t see that much anymore these days, but back then, when your kerosene turned to jelly, you knew you hit 70.”

The old man paused, took a sip of watery coffee from a styrofoam cup, moved the microphone on the table in front of him back a few inches, then continued:

“Then, at 90 below, my dogs’ tails just fell off.”

He stood up, grabbed the cup and headed for the coffee pot in the other room.

“But, wait… what happened to the dogs?” I called after him, completely missing the point of the story and no longer concerned about his proximity to the microphone.

“Oh, they was fine… Sometimes maybe one of ‘em would quit, usually the older or sick ones… just lay down and die. Nothin’ you could do for ‘em. But most of ‘ems would be just fine, you just hook ‘em up to the sled, and they’d just run, they just leave them tails behind and just keep movin’… gotta keep movin’ to survive.”


Untitled

by Gary Feuerman

It was something that had not happened in hundreds of years. Before Shakespeare, the telescope, the Mona Lisa; just after the dark ages. 1378. Man was still relatively few and dealing with plagues. America did not exist and the United Kingdom was not so united. Venice thrived, and my lineage was lost somewhere between Crusades-scarred southern realms and forested hills in the mid north of Europe where wild boar and wolves killed some of my nervous ancestors. And here I was with friends, on a couch sitting on a dirt driveway in northern New Mexico, sipping vodka, craning my neck to see the orange moon, like a pill in the sky, like a globular glass of Lipton tea. December 21, 2010. A gathering of writers, wild souls watching ravens in the high tree branches, meteors streaking in green-white glitter, and the moon-sun dance, choreographed and timed to the minute, organization and deliberation among chaos. It was mild for December 21st. No snow on the ground, sweaters enough at midnight and later. The slow shading and unshading of the moon gave us patience. We sipped slower than usual. Not since 1378 had anyone witnessed this. Who saw it then? A shepherd? A monk on a mountain top in Tibet? A writer at her table scribbling by candlelight. An executioner with insomnia feeling vaguely guilty about the next head? Did anyone write about it? The printing press had yet to be invented. Did the Anasazi view it from the sacred circle of stones? Did they know it was coming? Most of the people went inside soon after the moon was covered. A friend and I waited it out. Full light returned near 3am. I was not sure what it meant or will mean to me, but it felt like the completion of a cycle.

Tuesday, February 1, 2011

Great White Northern New Mexico

Wild-on-End
by Johanna DeBiase

“I could do without all this sagebrush,” the Kansas man makes small-talk. He does not see the open sky, the rising mesas, the stretching rolls of hill persuading mountain peaks, the deep water gashes and bubbling springs. He will always be a tourist. I am grateful I broke down so close to home.“Los Colonias,” I direct him, “you can drop me at this corner.”

“I’ll take you all the way,” he offers with a soft twang, “it’s no problem.” I glimpse into the truck bed at broken elk limbs. “I went hunting with my son last week,” he explains.

“I’m a newcomer too,” I tell him. I think of where I came from, the sub-arctic snow prairies and glacier embedded ridge lines, time moving only as fast as the river would take it. But this is not Alaska. Now I walk in tumbleweeds with sandals on, snack on pinon, explore the back roads and only bring a coat if I’ll be out after dark. “This is good,” I point to my road head,“That’s my house over there.”

Warmed by thoughts of my highway solar adobe I think, I am generated by the sun, but do not say it out loud; there are enough hippies on this mesa to create the illusion of crazy without my help. Yet, he’s told me already(only takes a few miles for a man to open up to a strange woman) he misses Kansas, that’s his true home. I close the heavy door to his truck and run the dirt road back to my house past pueblo land where the sagebrush goes on for miles and think, There could never be too much.


Bastard

by Charles Clayton

It never was very good, not even in California where it was warm. Well, it was good there for awhile, before the drinking got bad. A house, a son, a baby daughter, a used but solid Buick in the driveway, palm trees in the front yard, oranges in the back, steady work at the track.

Then he hit her one too many times and she left. Took the kids and fled for Colorado, for the shelter of family and mountains. He sobered up, tied up some loose ends, and made his way towards that icebox of a town, swearing to her and himself that things had changed. Worked for her brother, rented from her father, started drinking with her cousins and before too long the walls were closing in again. Only now it was 50 below. Too cold for hope.

He got his wages and left town with the clothes on his back and a twelve pack of Budweiser in the passenger seat, headed south to New Mexico, Arizona, anywhere but this frozen valley. No need for goodbyes. It won't take her long to figure out what happened. Crack open a beer. Hit the gas. The edge of town. Keep going. Don't look. Keep your eye on the road. GODDAMN IT, DON'T LOOK!

Slow down for one last look at that godforsaken tin trailer. And there's the kid in his blue snowsuit, up on a snowbank. Waving. At his dad. For the last time.


The Tragic Packing List of Two Alaskan Teenagers on Their First Roadtrip to the Lower 48 (Fairbanks to Santa Fe in January)

by Eric Mack


* Flashlight
* Beef Jerky
* Turkey Jurkey
* Fritos
* iPod
* Alascom Cell Phone (unusable in the lower 48)
* Fleece / Parkas / gloves / hats (to be ditched somewhere south of San Francisco)
* Billy Joel CD (for ironic purposes)
* Red Bull
* Maker's Mark
* Beef Jerky
* Ramen noodles
* Empty 2-liter of Mountain Dew (water bottle)
* Empty 2-liter of DIET Mountain Dew (pee bottle)
* Empty 2-liter of Coke (after the MT. Dew bottles got mixed up)
* 5 gallon gas can (leaking)
* Leatherman utility tool
* Sunscreen (60 SPF)
* Carhartt pants
* Carhartt button shirt
* Pilot Bread
* Smoked salmon jerky
* Rand McNally Atlas (1992 edition)
* 1 Bag containing 4 McDonalds hamburgers purchased day before trip (phone numbers of all friends in Lower 48 written on outside)

Saturday, January 15, 2011

Omnibot


Tin Man
by Eric Mack

"He's totally one of us, Robie! For all you know he could be your grandpappy," Model QR-7600 droned at its full decibel capacity, and without any variation in tone.

"I don't know bro, they left him out in the rain, like, for years, and all it took was a couple shots of oil to bring him back up to operational. I don't buy it, dog. You know that would fry the shit out your operating system if you tried it."

Robie lowered his right plastic caliper on to the volume up button on the remote. Judy Garland's adolescent whine permeated the room - something about some sort of distant municipality constructed primarily of precious gems. Humans of European descent love to waste their lives devising dumbass, irrational fantasies, Robie processed to himself.


"Look at the way he
moves though," QR-7 shot back. "That nigga's doin' the muthafuckin' robot straight up! You know when this shit was made? Muthafuckin' 1939! Oh, shit, man - I got it, I got it."

The LED lights mounted on QR's upper dome for nighttime illumination and entertainment purposes began to cycle through the full spectrum of hues on the CMYK gradient. A digitized rendition of "Funkytown" emitted from a single speaker on his back.


"Pullman porters, dog! Muthafuckin' Pullman porters. Tin man, my ass. Pullman porters must have had ROBOT porters of their own, man! Metal dude here is trying to send us a message about Robot
Civil Rights, my man!"

Just then the vertical hold on the old VHS/TV combo began to go haywire. Robie slapped the console with his left caliper. He removed the 120v plug from his external electrical dock to check for corrosion. What an illogical troubleshooting protocol... you are a dumb robot muthafucka like QR vocalizes after all...


It the last input Robie processed before the compactor snapped his
central processing unit, save for a quick flash on the television screen of an image that looked like, but it couldn't be... J. Edgar Hoover? Robie was never able to compute the likelihood that the vision had been real or a manifestation of crossed wires and snapping silicon.


When They Came for Us

by Johanna DeBiase


When they came for us, we were sitting

in downtown corner cafes sipping skinny

lattes while we trivialized politics and the

local recession. Tourists passed with bags

full of turquoise and leather, but we did

not see them, we only saw each other and

the words spilling from our mouths like poems.


When they came for us, we were boot-deep

in soil, rolling it over to expose troubled

worms and patting it down with hope

that biology might do our simple bidding.

We were singing then, to the plants, I guess, so

they would know that we needed them, that we

would eat them soon with the utmost care.


When they came for us, vigilance over children

was all-encompassing. We could not take our eyes

from their little limbs, the malleable bones and skin

kept in our care. We openly admitted our rancor,

the retirement of our social life, but we

would not stop watching; how precious,

how sweet, how long ago and how fast.


When they came for us, we could not hear

the clashing of metal against mountains, the

crumble of clay and splash of wide shallow

rivers, as their giant golem boots met with

the land. We were not listening for the chants

of ancient tribal warnings or new age prophesies;

we were busy then, with other things, when

they came for us.


Untitled

by Robin Powlesland


short lines spread like butter

on dark bread

they stick to the roof

of my mouth


there is a metallic embrace

in how you talk to me

and the months make it warmer

or more alive


Untitled
by Charles Clayton

I want the robot. The Omnibot.

The robot? How about the cowboy cap pistols in the red holsters instead?

No, I want the robot.

You can get a robot anywhere. You can get a robot at the mall when we get back to Amarillo. Look at this cute Indian spear with the feathers and beads. You won't find that in Amarillo.

I don't want the spear. I want the Omnibot.

I'm not getting you the robot. Your aunt Betsy got you that remote controlled robot for your birthday last year and you haven't played with it for months.

It wasn't an Omnibot. I want the Omnibot.

What about this t-shirt with the howling coyote and the chili peppers? It matches your soccer shorts. Or this jackalope. The jackalope would look good next to your spelling bee trophies.

I want the robot. The Omnibot.

No.

Please.

No.